the words
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A1 初級
n. pl.名詞 (複数形)単語
The words in this book are too difficult for me.
n. pl.名詞 (複数形)言葉
The words he spoke were very comforting.
n. pl.名詞 (複数形)歌詞
I don't know the words to that song.
n. pl.名詞 (複数形)約束
He kept his words and delivered on his promise.
動画字幕
【英文法】上級者でも間違える英語の語順・文法ミス5選
- But, and here's the issue, the words behave differently when the adjective comes before a noun.
主動詞が「to be」の場合、これらの確信を表す副詞は通常、その後に置かれます。「This is probably the best restaurant in the neighbourhood.」のように。短い返答では、これらの副詞を単独で使うこともできます。
- But, and here's the issue, the words behave differently when the adjective comes before a noun.
しかし、問題は、形容詞が名詞の前に来る場合、単語の働きが異なることです。
【AI 2027】人類はAIによって滅ぼされる？そのシナリオを徹底紹介！
- In the words of the paper, "Earth-born civilisation has a glorious future ahead of it, but
しかし、最終的にAIは人間が自分たちの邪魔をしていると判断します。
- In the words of the paper, earthborne civilization has a glorious future ahead of it,
論文によると、地球文明には輝かしい未来が待っていますが、
英語の語彙を増やそう：食べ物を表す形容詞10選 (Expand Your English Vocabulary: 10 Adjectives for Describing Food)
- In this case, using the word too means maybe too much of something, and what is one of the words I use that's not a great word for food?
この場合、tooという単語を使うのは、たぶん何かの量が多すぎるという意味だ。私が使っている言葉の中で、食べ物にあまり良くない言葉は何だろう？
- And what is one of the words I use that's not a great word for food?
推測できない！決まり文句の動詞15選 (15 PHRASAL VERBS with meanings you can’t guess!)
- Again, remember, phrasal verbs, verb and preposition, always remember that there probably is at least one or two or even three more meanings than the words themselves, okay, and you have to make sure you understand what those are.
繰り返しになるが、句動詞、動詞と前置詞には、単語そのものよりも少なくとも1つか2つ、あるいは3つ以上の意味があることを常に覚えておいてほしい。
- Always remember that there probably is at least one or two or even three more meanings than the words themselves.
プロフェッショナル＆ビジネス英語：交渉の語彙 (Professional & Business English: Negotiating Vocabulary)
- If you're using it as a noun, make sure you have two hyphens between each of the words, okay?
名詞として使う場合は、各単語の間にハイフンを2つ入れてね。
- If you're using it as a noun, make sure you have two hyphens between each of the words.
自分が何もあきらめないのに、なぜ相手が何かをあきらめなければならないのか？
内なる独裁者とは誰か？ (Who is the Dictator Within?)
- I wish it was that easy, but it takes a lot of training, a lifetime of training to constantly bring your awareness back to awareness, unless you were taught from a young age to be mindful of your thoughts, then you have a lifetime of training of being caught up in your thoughts, if you've been smoking for 20 years and you think that's a hard habit to quit, quitting, identifying with your thoughts is possibly the hardest habit to break, or you could put in the words of Mark Twain, who said quitting was the easiest thing he's ever done.
そんなに簡単なことならいいのだが、常に意識を意識に戻すには、かなりの訓練が必要だ。幼い頃から思考に意識を向けるように教えられていない限り、思考にとらわれるという訓練は一生続く。20年間タバコを吸っていて、それをやめるのは難しい習慣だと思っているのなら、やめること、思考と同一化することは、もしかしたらやめるのが一番難しい習慣かもしれない。マーク・トウェインの言葉を借りれば、彼はやめることが今までで一番簡単なことだと言ったのだ。
- And the words of that voice were formed in an ever-growing chain of events that began in your childhood.
そしてその声の言葉は、あなたの幼少期から始まった、連鎖し続ける出来事の中で形成された。
なぜ英語の映画が理解できないのか (Why you can't understand English movies.)
- You see, if you can see the words on the screen and you can hear them being spoken at the same time, this is going to retrain your brain to connect the way the words sound with the way the words are written.
学校で習ったこと、教科書で習ったことが、実際のネイティブスピーカーの話し方ではないからだ。
- You see, if you can see the words on the screen and you can hear them being spoken at the same time, this is going to retrain your brain to connect the way the words sound with the way the words are written.
学校で習ったこと、教科書で習ったことが、実際のネイティブスピーカーの話し方ではないからだ。
クリエイティブな人間の恐るべきパラドックス - ハンター・S・トンプソン (The Terrible Paradox of Being a Creative Person - Hunter S. Thompson)
- Every man is the sum total of his reactions to experience. As your experiences differ and multiply, you become a different man, and hence your perspective changes. The answer, then, must not deal with goals at all, or not with tangible goals anyway. In short, a man who has found meaning has not dedicated his life to reaching a predefined goal, but he has rather chosen a way of life he knows he will enjoy. The goal is absolutely secondary. It is the functioning toward the goal which is important. The directions we go in life are far less important than whose finger it is that we are following. In Thompson's case, that trembling, pointing finger always remained his own, even up until the last choice he made. And in this, he reminds us, in the most extreme sense, to take control over our lives and live them on our own terms. To step outside the lines. To curve and blur them. To make new ones. To inhale them. He shows us that our work and our lives are always an ongoing process of change, of effort, of labor, of pain, of hope, of laughing, of tripping, of meandering, of loving, and of dying, in hopes that the story will continue in the words of others. His life was as much a part of his work as the words on the pages, each breath as much as each line, revealing the difficulties of making it through this world with any resemblance to the person you were when you came in, while also showing the unbelievable thrill of the whole process.
人は皆、経験に対する反応の総体である。経験が異なれば異なる人間になり、視点も変わる。その答えは、目標をまったく扱わないこと、あるいは目に見える目標を扱わないことである。要するに、意味を見出した人間は、あらかじめ決められたゴールに到達するために人生を捧げているのではなく、むしろ自分が楽しめるとわかっている生き方を選んでいるのだ。ゴールは二の次である。重要なのはゴールに向かう機能である。人生で進む方向は、誰の指に従うかよりもはるかに重要ではない。トンプソンの場合、最後の選択に至るまで、その震える指は常に彼自身
- of dying, in hopes that the story will continue in the words of others.